意料之外的相遇
An Unexpected Meeting

坐标成都，人在城市东南角，寻常日子里的周六午后，艳阳烈烈，友人发来定位邀约去一间茶屋坐坐，据说很是隐秘有趣。心生好奇，这间地图上看起来距离我只有二点几公里的店，会如何有意思。

I live in the southeast of Chengdu. On an Saturday afternoon with sunshine, my friend sent me an invitation to a teahouse. It was said to be very secret and interesting. I was curious about how interesting it would be, which seemed to be only 2.5 kilometers away from me on the map.

▼庭院概览，overview ©ICYWORKS

不足一刻钟的路程，驱车穿过一些小路后，面对的是一扇不属于这个时代的榫卯结构老木门，身后刚好传来一句稚嫩的话语：“妈妈，这里都不像在成都了呀！”好巧，友人的儿子竟与我有一般的感受。

Less than a quarter of an hour’s journey, after driving through some paths, I was faced with an old wooden door with tenon and mortise structure that did not belong to this era. “Mom, it’s not like here in Chengdu!” Just behind me came a childish voice, which from my friend’s son, who had the same feelings as me.

▼庭院景色，view of the teahouse ©ICYWORKS

八然大门的“来头”：设计师与主理人有着对中国传统文化的共同爱好，得此院落后，随即远赴山西，请来当地老师傅，将这组早已相中的老宅院门拆下，运至成都，再请老师傅一瓦一木“拼装”而成。木门是中国古代建筑惯用的-榫卯结构，故所谓拼装。

Here is the origin of Baran Courtyard gates. The designer and the manager have a common interest in Chinese traditional culture. When they got the courtyard, they went to Shanxi to ask the local experienced worker to dismantle the gates of old houses that they had long liked and transport them to Chengdu. Then they asked the experienced worker to “assemble” them with pieces of tile and wood. Wooden gates were made with tenon and mortise structure commonly used in ancient Chinese architecture, so it is called assembling.

▼八然大门，Baran Courtyard gates ©ICYWORKS

热爱每一件物品，热爱表达
Love Every Object and Love to Express

跨过门槛，将到访者与内部空间连接的是一洼掩映在葱郁绿植下的小水池。不用着急去给它下定义，转过角，往里再走上几步，右手边那栋房子大体的样貌便落入眼中。奶油色的外墙上好几面大大的玻璃被框在长条的木头里。素净的墙面，原木色的家具、大方清透的门窗。

Across the threshold, what connected visitors with the interior space was a small pool hidden under lush green plants. Turn the corner and take a few steps inward, the general appearance of the house on the right side would fall into my eyes. On the cream colored exterior wall, several large glasses were framed in long strips of wood. There were simple and clean walls, burlywood furniture, transparent doors and windows.

▼立面，the facade ©ICYWORKS

二楼的窗户拉着窗帘，但透过一楼的大玻璃，可以先将内里窥得个马马虎虎。有楼梯，有房间，还有几组玻璃柜展示着什么，神神秘秘的，脚步忍不住就迈进了室内。

The window on the second floor was covered with curtains, but through the large glass on the first floor, you could get a glimpse of the inside. There were stairs, rooms, and several groups of glass cabinets showing what was mysterious. I couldn’t help walking into the room.

▼茶室内部，interior of the teahouse ©ICYWORKS

▼灵活分隔的屏风，flexible screen ©ICYWORKS

八然小院里，展陈着许多主理人们的私人藏品。哪怕是供客人使用的茶盏、杯盘，也都是不多见的匠人手作器具。

There are many personal collections of the managers in the small courtyard of Baran. Even the tea cups and plates for guests are rare handicrafts.

▼屏风后的长桌，table behind the screen ©ICYWORKS

▼看向走廊，view of the corridor ©ICYWORKS

青花瓷茶盏、小碟，不知何年重获新生的金缮瓷碗，手绘有花鸟鱼虫、水墨山水的白瓷底小杯……正看得兴头上，有人从旁道：这些都是分别来自清代、明代、宋代的器具风物。暗自压下小小的惊疑，扭头与“画外音”攀谈。

There were blue and white porcelain tea cups and saucers, gold porcelain bowls that have been reborn in unknown years, and small white porcelain cups with flowers, birds, fish, insects, and landscapes were hand painted. I were excited to see them while someone from the side said that these were all utensils from the Qing Dynasty, the Ming Dynasty, and the Song Dynasty. Then I turned to talk with the voice.

▼餐厅圆桌，the dining space ©ICYWORKS

原来，这里以前是个普通的旧院落，本就隐匿在小道的尽头，重塑者仅仅是做了实在而直率的表达。不想刻意引人注意，所有的热情都藏于安静。

It used to be an ordinary old courtyard, which was hidden at the end of the path. The remodeler just made a real and straightforward expression with unobtrusive way, hiding all enthusiasm in silence.

▼二层茶室，teahouse on the second floor ©ICYWORKS

方正简明的房屋结构，能一眼望穿上下前后，进去转一转又发现讲究都在于：空间与灯光的布局、自然的光线与通风、地板、床铺，各个能被切实感受之处。

The square and concise structure of the house could be seen through the front and back of the house at a glance. When I went in and around, I found that the emphasis was on the layout of space and lighting, natural light and ventilation, floors and beds, and all the places that could be truly felt.

▼房间入口，entrance of the rooms ©ICYWORKS

营业近两年了，三间客房基本处于“供不应求”的状态，住过的客人上到十八九，下到八九十，据说不少成都本地的客人每过一段时间，就回来小住。难以料想，我们闲聊时，自二楼客房蹦跶下来八九个高中生，青春洋溢、神采飞扬，却与一楼静谧的茶室毫不违和。

It has been operating for nearly two years. The supply was not adequate to meet the demand with only three rooms. The age of guests who have stayed here ranges from 90 to 18. It was said that many local guests in Chengdu come back for a short stay sometime. It was hard to imagine that when we chatted, some high school students came down from the guest room on the second floor. They were full of youth and high spirits, and have no sense of conflict with the quiet tea room on the first floor.

▼二层房间，view of the room on the second floor ©ICYWORKS

▼其他房型，view of the room on the second floor ©ICYWORKS

▼衣帽区，cloakroom ©ICYWORKS

这里不存在概念性很强的设计语言，只是在这个急躁的时代，有人还原意将一件喜欢的家具留存十几年，还执着于去探寻过去生活中的“美”，将它们一一梳理，再做出境物合一的表达，本身就已经魅力动人、极富感染力。

There was no design language with strong concept here. However, in this impatient era, some people still intended to keep a piece of furniture they liked for more than ten years, and were still dedicated to exploring the “beauty” in the past life, combing them one by one, and then expressing the unity of things abroad, which was already charming and infectious.

▼窗边空间，view by the window ©ICYWORKS

忙时井然，闲时自然
Orderly When Busy, Natural When Idle

在院子里，信步向前，不出十步，顿觉眼前豁然开朗。百米外是玫瑰园、是有好多树的树下酒馆，百米内有宽敞的草坪、有用木头拼搭起来的露台、滑梯，露台下迷你隧道那一头是小小的沙坑。在往里走，竟然藏着一块菜园……听说，这些都是四季餐桌上的彩蛋。院子北临掩映于好多芭蕉树下的酒馆-树下，东靠数顷玫瑰园，也算得天独厚了。

In the yard, I walked forward at random. Within ten steps, I was suddenly enlightened. A hundred meters away was a rose garden and a tavern under the trees. Within a hundred meters there was a spacious lawn, a terrace and a slide made of wood. At the end of the mini tunnel under the terrace was a small sand pit. Walking inside, there was a vegetable garden hidden. It was said that these are the surprise dishes and ingredients on the table in different seasons. *In the north of the courtyard, there is a tavern under banana trees, and in the East, there is a few hectares of rose garden. It is richly endowed by nature.

▼细部，details ©ICYWORKS

八然似是一方容器，煮茶吃肉，起居坐卧，阅读书写，会友谈天，盥洗休憩……，这容器恰好能够呼应。我们和生活搏斗之后所向往的作息方式，愿望、需求被双向奔赴的填满了，便能享受到真正的闲适安顿。

Baran is like a container with tea and meat. You can read, write, and talk with friends in the daily life. After struggling with life, we can enjoy real leisure and settle down when we are filled with our desires and needs.

▼夜间灯光，lighting view at night ©ICYWORKS

都市人的竞争、该死的胜负欲、占有欲……在这里都被无视了，日常所求，就无非；安适舒坦，怡然自洽。

The competition, the damned desire to win, and the desire to possess of the urbanites are all ignored here. What they want in daily life is nothing but comfort and contentment.

▼夜景，night view ©ICYWORKS

项目名称 Project Name – 八然邸院
项目地点 Location – 成都·锦江区
项目面积 Area – 300㎡
完工时间 Project Year – 2020.11
主案设计 Designer-in-Charge – Nemo
设计团队 Designers – 彭秋霞 · 古昆 · 温伟伟 · 粟若宸
合作方式 Approaches to cooperation – 设计
摄影团队 Photographer – ICYWORKS
视频团队 Video team – 一瞬文化