“在5000年前的乌尔，生活不会有太大的不同：同样精心打造的砖块……同样围绕庭院的空间、同样的墙壁、同样的明暗过渡、同样的冷热交替、同一片星空、同样的恐惧、同样的梦……”——阿尔多·凡·艾克

该住宅位于萨洛郊区的城市化地段，萨洛郊区围绕着公园前1世纪的VillaRomanadeBarenys考古公园而建，这里曾生产用于建造和制作双耳瓶的陶瓷，从而将塔拉戈纳葡萄酒出口至帝国的不同区域。

“Itcouldn’thavebeenmuchdifferentinUr5,000yearsago:thesamepainstakinglycreatedbricks…thesamespacesaroundacourtyard,thesamewalls,thesametransitionfromlighttodark,thesamecoldafterheat,thesamesamestarrynights,samefears,samedreams…”—AldovanEyck

ThehouseislocatedinanurbanizationontheoutskirtsofSalouthatisarticulatedaroundtheArchaeologicalParkofVillaRomanadeBarenys,abuildingfromthe1stcenturyBC.destinedtotheproductionofceramicsfortheconstructionandtheelaborationofamphorae,usedtoexportTarragonawinetodifferentpartsoftheEmpire.

▼项目概览，generalview©AdriàGoula

该住宅可以用一句话概括：将自己封闭在最亲密的环境中。这里是不具典型特征的普通场所，也是为玛丽亚·何塞（MaríaJosé）建造的亲切而宜人的居住地，玛丽亚·何塞是具有安达卢西亚血统的女性，希望在可以唤起童年记忆的新房子里享受退休生活。为了延续庭院文化和地中海气候下的生活方式，该项目复原了罗马别墅的潜在记忆，这些别墅曾连接战略性港口城市RomanSalauris周围的AgerTarraconensis农业区。此外，为了唤起玛丽亚·何塞在安达卢西亚庭院中关于植物、水池和橘子树的童年经历，建筑师设计了一座庭院住宅，它是内部设有绿洲的内向型房屋。一层的流动空间围绕中庭布置，将住宅组织起来，探索了室内与室外、明与暗、不确定性和安全性之间的生活方式。从罗马时代到二十世纪初第一批现代主义夏日别墅的出现，陶瓷一直是该地使用的材料，也是该项目建筑材料的不二选择。

▼轴测图，axonometricdrawing©NUAarquitectures

Asingleactioncanexplainthehouse:closingoneselftotheclosestenvironment,agenericplacewithoutmanyattributes,andfoundinganintimateandpleasanthabitableplaceforMaríaJosé,awomanwithAndalusianrootswhowantstoenjoyherrecentretirementinanewhousethattransporthertotheinhabitedspacesofherchildhood.IncontinuitywiththecultureofthepatiosandthewayoflivinginMediterraneanclimates,recoveringthelatentmemoryoftheRomanvillasthatarticulatedtheagriculturalterritoryoftheAgerTarraconensisaroundtheRomanSalauris,acityknownforitsstrategicport,andwiththeWiththeintentionofevokingthechildhoodexperiencesofMariaJoséamongthevegetalshadows,thepoolsandtheorangetreesoftheAndalusianpatios,apatiohouseisproposed,anintrospectivehousethatwelcomesanoasisinside.Thehouseisarticulatedthroughasinglefluidspaceonthegroundfloorthatgravitatesaroundanatrium,thecentralroomofthehouse,andtheprojectfocusesonthetimelessexplorationoflivingbetweentheinteriorandtheexterior,betweenthedarkandthebright,betweenuncertaintyandsecurity.Ceramics,amaterialusedhistoricallyinthecityfromRomantimesuntiltheappearanceofthefirstmodernistsummerhousesatthebeginningofthe20thcentury,isthechosenconstructionmaterial.

▼内立面，innerfacade©AdriàGoula

▼庭院，courtyard©AdriàGoula

▼遍布院子各处的绿植©AdriàGoulagreenplantsalloverthecourtyard

▼错落的内向型体量，scatteredintrovertedvolume©AdriàGoula

▼门窗，doorsandwindows©AdriàGoula

建筑四周，由粗糙砖块砌成的实心墙位于不同结构中，保护房屋不受外界影响，同时起到隔热和保护隐私的作用，这堵巨大的外墙，只在特定位置设置了孔洞和格栅。这种防护性陶砖墙使人想起地中海的广阔无垠，它围绕着完全开放且通透的中央空间，门廊和格栅很快被植物的阴影和调节光线与温度的滑动百叶所覆盖，带来了微妙的光影变化。

Ontheperimeter,asolidwalloftexturedbrickandplacedindifferentstructuresprotectsthehousefromtheoutsideandprovidesthermalinsulationandprivacy,generatingamassiveperimeterwallonlyperforatedinveryspecificpointsbymeansoflatticesandwindows.Thiskindofprotectiveceramicwallthatevokesthemassiveperimetersofthemedinas,surroundsatotallyopenandtransparentcentralspacenuancedbyporches,latticessooncoveredbyvegetalshadowsandslidingshuttersthatadjustthelightandtemperatureconditions.

▼由粗糙砖块砌成的实心墙，thesolidwalloftexturedbrick©AdriàGoula

▼墙面细部，detail©AdriàGoula

房屋的中心是露台，它向采光良好的西南侧开放，是所有房间汇聚的舞台、聚会场所、社交空间，同时也是控制气候的中央空间，不仅确保所有空间的交叉通风、气流循环、视觉进深和良好的采光，而且拓展了房屋规模，使外部空间融入室内，防止未建造地块被浪费，并与室内空间保持连通性。房屋中心的室外部分使居者可以将家庭生活融合在天空的背景下，并享受时间的流逝。

Theagora,whichopenstothesoutheastinsearchoflight,isthecenterofthehouse,thestagewherealltheroomsconverge,thecollectiveplace,thespaceforrelationships,andatthesametime,itisalsoanintermediatespaceofcontrol.climatethat,inadditiontoensuringcrossventilation,fluidcirculations,deepvisualsandgoodlightingofallspaces,multipliesthedimensionsofthehouseandallowsincorporatingtheexteriorspaceintotheinterior,preventingtheunbuiltspacesoftheplotareunderstoodasawaste,butincontinuitywiththeinteriorspaces.Thisfragmentofexteriorintheheartofthehouseallowsyoutoconnectdomesticlifewiththeskyandappreciatethepassageoftime.

▼露台，theagora©AdriàGoula

▼由露台望向泳池，viewtothepoolfromtheagora©AdriàGoula

▼由露台望向室内，viewtotheinteriorfromtheagora©AdriàGoula

▼融合的室内外界限，fusionofindoorandoutdoorboundaries©AdriàGoula

▼厨房，kitchen©AdriàGoula

▼客厅，livingroom©AdriàGoula

▼客厅一瞥，aglancetothelivingroom©AdriàGoula

住宅遵循西北立面形成的轴线，具体表现为入口门廊、大厅、外门廊和中央庭院形成的空间序列。这条通道直接通向室外，使人们几乎无法知道房屋是从哪里开始的。通道起始点是第一个体量，包含公共空间和服务空间，轴线的另一侧是第二个体量，它可以独立运作并容纳主卧。这两个主体围绕并汇聚在庭院，不仅构成保存记忆的空间，而且是玛丽亚·何塞梦想与家人和朋友分享重要时刻的庇护所，更是与地方记忆相连、唤起土地和根基归属感的理想空间。

Thehouseisstructuredfromtheaccessaxisonthenorthwestfaçade,whichismaterializedthroughthespatialsequenceformedbytheentranceporch,thehall,theexteriorporchandthecentralpatio.Thisaccessrouteleadsdirectlytotheoutside,withhardlybeingabletoguesswherethehousebegins.Fromthisepisodeoftransparentaccess,afirstbodycontainsthecollectivespacesandservicespaces,andontheothersideoftheaxis,asecondbody,whichcanfunctionautonomously,housesthemasterbedroom.Thesetwobodiessurroundandconvergeinthepatio,thespacethatkeepsmemories,therefugethatMariaJoséhaddreamedoftoshareimportantmomentswithfamilyandfriends,thedesiredspacethatconnectswiththememoryoftheplaceandevokesitslandanditsroots.

▼总平面图，siteplan©NUAarquitectures

▼一层平面图，groundfloorplan©NUAarquitectures

▼剖面图1，section1©NUAarquitectures

▼剖面图2，section2©NUAarquitectures